Saturday, October 19, 2013

Jaguar's X-type - A Car Destined to Fail



Jaguar Land Rover has now confirmed it plans a new model, to slot below the XF sedan, intended to compete with the world’s most famous midsize luxury sports sedan, the BMW 3-Series.

I’m sure the management, designers and engineers will do much better this time around, after the much-criticised X-type. There were many lessons to be learned after that fiasco - I hope they are heeded.



Back in 1993 Ford Motor Company, then owner of Jaguar Cars, proposed a ‘small’ saloon which could challenge the BMW 3-Series. The idea was greeted by Jaguar’s management in Coventry as ‘interesting’, but ultimately of little interest at the time.

The company was about to launch the X300 large sedan and prospects looked good, and it was thought that a ‘small’ Jaguar might erode the image of the brand, which was always known for high performance, large saloons, with lashings of wood and leather.
Jaguar X300

There were also some realists among the engineering staff who realised that to ‘challenge’ the 3-Series was going to cost a LOT of time and money. They doubted Ford really wanted to commit ALL the resources and funds necessary to be completely successful.

As part of Jaguar’s North American senior executive team at the time I was involved in a number of discussions where we voiced our view that we did not want/need this car in the American market. However, we were always bluntly told that if it went ahead, Jaguar Cars NA would take its share of production.

Then politics intervened. In the UK, Ford of Europe, needed to shut a major Ford manufacturing facility in Britain, with the loss of thousands of jobs. A deal was done with the British Government that the trade-off would be that a ‘division’ of Ford would begin production of a ‘new model’ at the company’s Hailwood plant - which was hoped would soften the blow of massive unemployment.

Ford of Europe management then TOLD Jaguar Cars to stop ‘pfaffing around’ - the X-type would be a reality, and it should get on with the plans. Job done.

Design chief, the late Geoff Lawson, and his head designer, Wayne Burgess, did a commendable job of downscaling the styling of the current XJ6, to produce a ‘small’ Jaguar, but for reasons of economy the car would be based on the current Mondeo.
Geoff Lawson (sketch-Stuart Spencer)









Wayne Burgess
The sop to performance enthusiasts would be that the car would be All-Wheel-Drive, rather than FWD like the Mondeo.

My good friend, Steve Cropley, Editor-in-Chief of Britain’s Autocar told me at the time that the engineers had done a 'pretty good job' creating a small Jaguar based on the Mondeo, aka the "Travelling Salesmens’ Express".

Now came the hard part - selling it!

In the public mind, Jaguar’s image (say, since 1968 and the birth of the first XJ6) had remained the same for decades. Big, high performance, sporting saloons with lots of grunt, great ride and handling, wood and leather - all at a very competitive price. It was sort of like a Bentley at a bargain price.

Now along comes a much cheaper, smaller Jaguar, with no image at all, creating a perplexing situation for the market at large. It might even have been called ‘the answer to a question nobody asked’.

So, the marketing guys were given the task of ‘creating’ a market and then selling 50,000 a year! A big ask.
It was at this point that a series of differing, but intertwined decisions began to define a future for Jaguar, and the X-type, which was destined to fail from that moment on.

American Jaguar customers didn’t know what to make of the car. Thus, it was a slow starter in the States. Jaguar’s then North American management then compounded the problem with a major ‘marketing misrepresentation’ (and herein lies a warning for anyone selling a new idea).

The billboard ad campaign across America boldly stated “Under 40? So are we!” The intention here was to do what every luxury car maker dreams of - lowering the average age of its buyers, to create more sales potential. High priced luxury sport sedans are usually the domain of older, wealthy males.

Guess what? When you got into the showroom the 40 Grand X-type was a dog. It was the ‘starter’ powertrain package, stripped of the most desired equipment, poor paint choices and basically, whatever you wanted on YOUR car cost a lot extra. To the point where the most-favoured specification usually ended up taking the price north of $55,000.

Dealers were told this was their opportunity to make more margin out of a low-priced model, which didn’t offer a lot of profit margin in the first place.

After that Jaguar was in no danger of selling vast numbers of X-types, and despite lots of marketing dosh and discounts, the X-type never really took off in the USA. That’s not to say it wasn’t popular - just not with the people Jaguar hoped would buy it.

Younger buyers never even considered it, and most sales went to retired corporate CEOs who were used to a big Jaguar as part of their package, and the X-type meant they could still drive a Jaguar in retirement. It didn’t hurt that it looked a lot like the XJ6 as well. So when you watched the traffic in most major markets, X-types were mostly driven by old guys puffing cigars, or pink-haired grannies off to play golf.

Next, the X-type then set up Jaguar as a laughing stock inside and outside the auto industry. At the time of its launch, Ford strategists obviously briefed the financial media in London, New York and Frankfurt. It was what they told them that caused the problem.

Note, at this time, the briefings were conducted by Ford Finance Suits, not Jaguar management. The strategists told the most influential analysts (in New York) that Jaguar was on the verge of a huge leap in sales and with the addition of the X-type, overall Jaguar sales could top 120,000 cars a year, making the Jaguar division of Ford immensely profitable - rather than a company which soaked up money and returned very little in the way of profit.

The analysts, who wouldn’t know the truth of any of this and who just report what they are told, promptly wrote up the good news and then sat back and waited for profits to appear.

The Europeans shunned the car because there was no diesel engine; the Brits shunned it because they thought it was too downmarket (and they all knew what a Mondeo was, although X-type only shared 20% of Mondeo parts). The Yanks weren’t interested, so sales plateaued.

After a couple of dismal years, Jaguar Cars, and especially Ford, began getting damning press, with finance journalists claiming the company was not as profitable as they’d been told it would be, and began describing Jaguar as a dead weight around Ford’s corporate neck.

At that point the analysts were urging Ford to dump the goose and cut its losses.

The X-type soldiered on, eventually making just over 300,000 cars in total between 2000 and 2009, and in its final days Jaguar added a smartly-styled estate version (station wagon) designed by the current saviour of Jaguar Design, Ian Callum.



However, the damage was done and Jaguar Land Rover finally executed the X-type in 2009.

Consistent with this situation, Ford had jerked Jaguar Cars Chairman Sir Nick Scheele out of his job in Coventry and handed him a poisoned chalice as Chairman of Ford Motor Company, in Dearborn. Ford’s board then rotated a number of would-be’s through the office of Chairman of Jaguar, and the revolving door was kept spinning by guys who were more interested in ‘serving their time’ at Jaguar, before being posted somewhere else in the Ford empire.

In 2007 Ford actually did do something right, by appointing Mike O’Driscoll as Managing Director of Jaguar Cars. Mike and his team skillfully guided the company through the transition from Ford ownership to Tata Group. After that, things began to look up and Jaguar is now leaping from strength to strength.

Designer Ian Callum, Jay Leno and Managing Director, Mike O'Driscoll
A lot of this success is generated by Ian Callum’s great design sense, and the new cars he has been responsible for - XF, XJ, F-type - and now the new SUV, based on the C-X17 concept shown in Frankfurt this year.

It’s Ian’s vision, design talent and integrity, and respect for Jaguar’s traditions that has pushed Jaguar along to become not only profitable, and hugely successful in the USA, but also a credit to its current management and workforce.

Not to mention the gentle and visionary patronage of Sir Ratan Tata.

Don’t you love a happy ending?

UPHILL BLAST!

Every year the Mayor and the people of the town of Cividale Del Fruili close off one of their local roads for the Cividale Castelmonte Hillclimb, which is open to all sorts of cars.

The area is just north-east of Venice, and the particular road winds uphill from an elevated village.

My friends at Boldride.com have just posted a video on the Blog which could just be the most entertaining and fabulous 'race drive' video I've seen in a long time.

Check out Boldride.com and you will not be disappointed.


Thursday, October 10, 2013

RACE to RUSH


Ron Howard has done it again! This is not only the best drama film based on motor racing that has ever been produced, but it is equally the best feature film based on Formula One racing. This is especially so because the Director, Ron Howard is not familiar with F1. However, the film is equally a triumph for the writer of the screenplay, Peter Morgan. The words are sensible, the scenes are logical and the story development very intelligent.


Don't miss this film if you're an F1 fan, F1 history buff, or even if you just want to see a well-crafted action-drama-documentary. 

The film is entertaining, engrossing and full of incredible motor racing action scenes, and the 'new' driving sequences are very, very good. 

Whilst Australian actor, Chris Hemsworth, is excellent as James Hunt, I think Daniel Brühl should be nominated for an Oscar - his portrayal of Niki Lauda is outstanding. A great piece of character acting.




Hemsworth and Brühl participated in many of the driving sequences, but here we should pay tribute to the Film Editor Daniel Hanley. The blending of the new footage with historic footage, and action sequences is exceptional.

Overall, this is everything a good movie should be. Sensible writing, accurate depictions of real events, well-crafted dramatic scenes, fast-paced and intelligent action scenes and top-notch acting. Go see it.

I was personally thrilled that the film dwelt on the 1976 Monaco Grand Prix, which I was privileged to attend, and take some historic photos, including the winner, Lauda, being interviewed, post-race.


At race start Lauda got away cleanly, with Hunt second.

Carlos Reutemann did not last one lap, retiring his Brabham Alfa after an accident at St. Devote and then just a short walk back to the pits.














James Hunt's engine expired on Lap 24, and I snapped a disconsolate Hunt trudging back to the pits around the harbour.


Lauda won, ahead of the two six-wheeled Tyrrells driven by Schekter and Depailler.


Lauda, post-race in the rear courtyard of the Automobile Club de Monaco, shows the strain of 78 laps around the tight Monaco circuit.
Surprisingly, Australian World Champion, Alan Jones, was exorcised from the final race, the Japanese GP. It was he, whom Hunt had to pass, to qualify as the World Champion for 1976. Jones and Hunt were great mates, and whilst Alan recognizes that Hunt was very devil-may-care, he says he was a good guy, and a loyal friend.



My own meetings with Hunt during the Australian Grands Prix in Adelaide bear this out. I had many funny moments with him and his entourage of women at our regular Jaguar cocktail parties at the Adelaide Hilton the night after practice.






Saturday, October 5, 2013

Jaguar F-Type - This Cat Roars!


 
Tracking along a seductively winding road in the Australian bush the driver of the F-type Jaguar up front plants his foot on the gas pedal, the cat snarls from its quad exhaust pipes and with a long, fast-disappearing growl the Jaguar blasts out of sight. I can just imagine the grin on the driver’s face as he unleashes 364 supercharged kilowatts and enjoys the ride!


We’re out for the day, driving a Jaguar F-type V8 S and an Aston Martin DB9 Volante V12 - roofs down, an open road, sun shining, gorgeous female companions alongside, so everything’s right with our world.

 

Of course we’re having fun. With two such elegant, high performance convertibles, who wouldn’t?
 
As a former executive of Jaguar Cars imagine the thrill when I was  invited to test drive Jaguar’s new sports car.
What are you expecting me to say? As someone who lived through the Jaguar company’s ups and downs at a senior level for almost 20 years I have been expecting great things from the F-type - and it didn’t disappoint!

 
Pardon me if I gush, but this car is everything those who conceived it had in mind, when they transitioned the beautiful F-type from Ian Callum’s design sketches, into the howling success it has become.


But, back to the driving. First impressions are that this is not some lightweight, lithe, cosy little roadster. This is a big car, and you need to think about its performance potential as you wind up the spring and let it loose. By the time you pack a supercharged V8 engine, eight-speed ZF paddle-shift auto, sophisticated suspension, brakes and all the other goodies into the package, you end up with a car that weighs in at 1665kg.

Wait on! Did I say 1665kg? Yep, and it’s all down to the F-type’s lightweight aluminium construction. The body structure delivers incredible torsional rigidity, a stiffness which is essential in a convertible, to provide pinpoint steering accuracy and an impressive power-to-weight ratio. Yes, F-type has a relatively large footprint, but on the road it delivers true sports car handling and performance. The feedback when driving quickly is truly fantastic!

There is so much sophisticated engineering and technology in this car it’s difficult to comprehend the full breadth of the design and imagination which makes this such a great driver’s car.
 
F-type at the last remaining birthplace of Aussie motor racing - Mount Panorama
 
The proportions, married to the weight distribution, and the low centre of gravity are just applied mathematical calculations, but the adaptive damping system which monitors road-induced body motion 100 times a second; steering inputs 500 times a second; and then predicts pitch from both throttle and brake inputs 20 times a second is mind-boggling. Add to that a trunklid made from composites, not metal, so it can carry the antennae for the radio and GPS signals, and you have a car which is not only carefully-thought out, and thoroughly modern, but also a car which bristles with practical touches, like the cockpit design and features.



When you’re pressing on, especially on a glorious road of sweeping curves and gentle undulations, the driver has a great connection to the car’s dynamic responses and this is what produces true sports car sensations.

In styling terms I think the rear view is the most seductive. Crisp lines, beautiful shapes, delicate features and slick aerodynamics.

The front delivers a road presence unlike the current Jaguar range. It’s bold and purposeful.
 


This year F-type sales in the USA have taken off, contributing to a 30% rise in Jaguar’s Year-to-Date sales to the end of September!

Jaguar, under Tata Ownership has found its mojo and the company’s future has never looked brighter. But it’s at the individual level that the impact is being felt. 

My companion, whose Aston Martin DB9 Volante joined us for the day out said that although he preferred the sculptural look of the DB9, he pronounced the F-type as the BEST Jaguar he has ever driven! High praise indeed, from a man who has owned a variety of Jaguars over the past 20 years!

Now that I’ve sampled the king of the range V8 S, I think a spin in the ‘base’ model, V6 with 250kW would be an ideal follow-up. Something tells me that this model, which is 65kg lighter, may turn out to be a beautifully-balanced car with more than adequate performance. That’s a great experience to look forward to.

Sunday, September 15, 2013

Mazda - Credential Check


So Mazda will provide the basics for the next Alfa Romeo Spider! Is this a good choice?




You betcha!

Let’s look at Mazda’s sports car design and production credentials. With almost one million MX-5 roadsters on the world’s roads, it’s a fact that this car is a winner - of hearts, minds and competition trophies. It’s DNA began creation as a the ‘idea’ of a pure sports car. This was no cheap hatchback, modified for use as a roadster - it was specifically-designed for the job and the team which produced it, did so with impressive integrity of purpose.



The popularity and commercial success of the car has of course generated many ‘fathers’ of the concept - but, I turned to my good friend Bob Hall for real facts.

In 1978 Bob Hall, then an automotive journalist with MOTOR TREND, was on a private visit to Japan. Like many of us, whose automotive industry careers started as auto magazine journalists, Bob had begun close friendships with senior industry figures, in this case, the head of Mazda’s Product Planning department, Kenichi Yamamoto. During the visit Yamamoto-san asked Bob what sort of cars Mazda should look at building, to expand its model portfolio. Bob suggested a very basic, wind-in-the-hair, low-cost sportscar like the iconic British marques.

Bob Hall

In 1980 Mazda hired Bob Hall for its Californian design centre, and whilst working on some more mundane, but commercially vital models, Yamamoto, who by then was Chairman of Mazda, reminded Hall about his sports car idea, and suggested he get serious about the project (but, only as an after-hours job).

After a few back-of-an-envelope sketches, the first concept design was produced by Mark Jordan and  Masao Yagi. Despite alternative ideas, thrown in by two other teams, it was the Jordan/Yagi design which became the NA Mazda MX 5. During the viewing of the model (below), the team removed the hardtop, and the leader of a competing team said: "Let's build this one!"


1982, on the morning of the original Jordan/Yagi NA MX-5 presentation


The production engineering was led by Mazda’s highly-respected product development chief Toshihiko Harai. The detailed chassis and suspension work was done by Takao Kijima, who went on to develop the later NB and NC versions.

 Many of us reckon the Lotus Elan must have been a great source of styling ideas, because the first NA model certainly emulated many of its design characteristics, but Bob Hall says that was almost coincidental. The design team certainly used inspiration from cars like the MG A, MG B, Sprite, Austin Healey and Triumph Spitfire, but as Bob Hall said, if they slavishly followed those design cues the car would never have enjoyed the popularity it did, for being different.


1966 Lotus Elan

In any case, the Lotus Elan was already relegated to a niche in the sports car market, and was relatively more expensive, so it did not enjoy the sort of mass appeal of the more familiar British makes. That alone gave it a sort of snob appeal, so being ‘like’ the Elan is faint praise really.




I’ve spent many hours driving MX5’s in Australia and the USA, and it is a great car, with real sports car blood in its veins. So, combining Mazda’s excellent Skyactiv technology with Italian design and handling traits can only mean that Alfa Romeo made a great choice when it was decided to team up with Mazda.

Thanks, Bob. I think you guys did a swell job!


スパイダー = Japanese for SPIDER!


The idea of Alfa Romeo teaming up with Mazda, maker of the world's most successful sports car, seems like a profitable business plan created in automotive boardroom heaven!

In today's post-GFC climate, the cost of developing an all-new car for FIAT's poor cousin is astronomical, and FIAT Chairman Sergio Marchione is nothing if not incredibly pragmatic and practical.
 

Sergio Marchionne




Alfa Romeo has been losing money for years (decades, probably), but despite Ferdinand Piech's interest in acquiring the Milano Marque, Marchione is determined to hang onto the trademark, the badge, the image and the customers.
So, if you need to inject some spirit, dazzle and fizz into the brand, why not a new Alfa Romeo Spider? Now, who could we team up with to get a new car at the lowest possible cost? Why not Mazda? Exactly!

Peter McKay en Italia
Here's a company which has developed a sports car with verve and brio! Just ask my mate Peter McKay, seen here lapping the Colosseum!

2015 Mazda MX-5 concept

Mazda's new (2015MY) MX-5 will benefit from the highly-efficient Skyactiv technology, which means the basic structure will be light and strong, and combining this with Alfa Romeo's engine technology, and Italian design flair will mean a winner on all fronts.

The most recent Spider was a reworking of the Giugiaro design for the Alfa Romeo 159, by Pininfarina.


Alfa Romeo Spider by Pininfarina
 
However, the inspiration for the new car is thought to be the famous 1966 Duetto, which was unique enough to win a legion of fans, and be documented in celluloid with a starring role in "The Graduate" as Dustin Hoffman's car.

1966 Alfa Romeo Duetto

Naturally, at this stage there's nothing official from the company, but there have been plenty of skilled, amateur and professional, artists who want to put forward their ideas of what it may look like.
 
Alfa Romeo Duettotanta by Pininfarina
 
Beginning with a concept car called the 'Duettotanta', by Pininfarina, which celebrated 100 years of the marque, there have been quite a few computer-generated images.
 
In addition there's a rendering based on the open version of the 8C Competizione.
 
 
  
 
 
 
 
 
 
 
 
The list of proposed concepts is long indeed! 
Road & Track rendering

Including two from the American magazines, Road & Track; and Car and Driver.
  
Car and Driver rendering

 
However, I think the renderings from the UK's Auto Express look a bit closer to the mark, because in size and perspective they more closely match the concept renderings of the 2015 Mazda MX-5.
 


 
2015 Mazda MX-5 concept

Alfa Romeo has some great in-house engines to choose from including its own 1.75, and FIAT's Multi-Air 1.4, both turbocharged. There is a new FIAT diesel about to debut, which will appeal to Europeans, although I'm guessing the Italians will prefer the petrol engines, matched to either a six-speed manual, or a seven-speed dual clutch transmission.

Either way, the new Alfa Romeo Spider, with its Japanese heritage, promises to be a real highlight for the Alfisti.

Thursday, August 1, 2013

Bentley at Bonneville




I think the most impressive thing about Bentley’s high speed run over the Bonneville Salt Flats in 2012, where it maxxed out at 307 km/h, was the amount of preparation the car received.

RAF jet fighter pilot and world land speed record holder, Andy Green, who drove the Bentley Mulsanne flagship sedan said: 


“Race prep of the car consisted of putting the tyre pressures up from 2.6 bar to 3.3 bar – nothing else. That’s it!”


However, as he pointed out, although cars traveling at high speed are a common sight at the Bonneville Salt Flats, Andy explained there was a lot more to the top-speed run than simply holding the accelerator to the floor.

While filming the high-speed run a helicopter unexpectedly moved position, creating a 100km/h cross-wind.

Helicopters have previously blown cars off course at Bonneville with disastrous effect, but there was no time for Andy to change course or brake.

“The Bentley twitched ever so slightly, maybe one degree, a tiny tweak of the steering wheel and it just kept going at 300km/h,” he said.



The salt surface at Bonneville actually gets wetter throughout the day so grip under the Bentley reduced as the day progressed

Andy explained that driving at high speeds on salt makes cars prone to oversteer and many land-speed cars can suddenly spin out without warning.

“Salt is a slippery surface. The coefficient of salt is about 0.5 – that’s about half what you get on dry tarmac. So it's just like driving fast on tarmac in the pouring rain!”


Andy Green is currently preparing for another tilt at the land speed record in 2016 and this time he wants to hit 1000mph!

Jay Leno and Andy Green discuss driving the Mulsanne at 307km/h !