Alfa Romeo SpA has always struggled competing with volume car makers, for the simple reason that it is a maker of niche sporting
cars, and it has always had difficulty funding itself from sales.
Consequently successive Italian
governments (under the auspices of holding company, IRI) and its eventual
parent, FIAT, have treated it in a sort of boom and bust manner.
Various managements have endowed it with funds to build new models, and then later managements starved it of cash because it failed to make significant profits.
Various managements have endowed it with funds to build new models, and then later managements starved it of cash because it failed to make significant profits.
The current FIAT-Chrysler
chairman, Sergio Marchionne is finally making noises that seem sympatico with
Alfa Romeo’s heritage and status.
He has promised to develop the brand into a
specialist maker of premium sporting cars, with dedicated investment and marketing
backup.
The first examples of this committment are the 8C Competitzione.
And then the cute little 4C.
In its colourful history, and
incredible array of fantastic sports cars, saloons and coupes, one of the most
commercially successful was the little Alfasud. The concept was the result of
pure genius, as was the styling.
Successive managements from 1954
on had looked at making a small FWD sedan, but it was not until 1967 that a project
was approved.
The engineering, powertrain and
suspension package was created by a brilliant Austrian engineer named Rudolf
Hruska. It featured an 1186cc water-cooled Boxer engine, with a belt driven
camshaft on each block. It also boasted a very sophisticated suspension for small cars of its
time, with McPherson struts up front, and a beam axle located by a Watt’s
linkage at the rear.
It had four wheel disc brakes
(front brakes were inboard) and brilliantly direct rack and pinion steering.
The Boxer engine resulted in an aerodynamically low bonnet line, and a
lower centre of gravity. Consequently its roadholding and handling was of a
standard that would not be equalled until many years later.
The outstanding mechanical
package was wrapped in a stylish body dreamed up by Giorgetto Giugiaro from his
brand-new studio called Ital Design. The close working relationship between Hruska and Giugiaro ensured a great outcome from the collaboration.
Rudolf Hruska & Giorgetto Giugiaro |
In fact it was the Alfasud which began
Ital Design’s long history of successful commercial designs.
The car was first shown at the
Turin Motor Show in 1971, and following its launch sold 893,719 models, plus
121,434 Alfasud Sprint coupes, up until the end of the series in 1983.
On my visit to Pomigliano d’Arco
in 1976 to drive the latest Alfasud Ti and tour the factory, our host Dottore
Silvano Tagini pleaded with management to let our group have a sneak preview of
the Giugiaro-designed Sprint coupe. The local management agreed, providing there
were no cameras, but as the car appeared, I couldn’t resist snapping off a shot
of the pretty little coupe.
None of the models which followed
the Alfasud, based on the original floorpan and powertrain – the Type 33,
145/146 captured the imagination like the first Alfasuds.
Alfa Romeo 145 |
In fact the next small car to come from Alfa Romeo was a really good example of bad (boom and bust) management.
It was the Alfa Romeo Arna, which
was an ill-fated decision conjured up between a desperately cash-starved Alfa
Romeo, and Nissan Motor Company.
The Arna was a rehashed version of the Datsun Cherry and should never have carried an Alfa Romeo badge!
The Arna was a rehashed version of the Datsun Cherry and should never have carried an Alfa Romeo badge!
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