I describe myself as a ‘Design Junkie’
because I just love the artistic subtleties of car design. Although I have no
creative design talents myself, I have been fortunate to become good friends
with a large number of significant car designers over my almost 40 year career
around cars.
That has meant many ‘after hours’ visits to
rival design studios to see new concepts, and a great many dinners at
restaurants around the world, watching great designers sketch ideas on
envelopes and business cards.
I’ve always admired how designers can
create a design around fixed ‘hard points’, and then design the surfacing and
perspectives that go to make up a good design.
I’ve been fortunate to see top-secret Fords and Lincolns that were years away from launch; various Austin-Rover cars in the Canley Design Centre in the UK; Jaguar concepts that never saw the light of day; the entire new Daewoo range in 1996; a variety of Volkswagen group products; and many new Holdens, drawn on a variety of tablecloths and napkins!
The latter were done by one of my very good
friends in the business, the former General Motors-Holden Design Director, Leo
Pruneau. How I wish I’d saved those sketches, but to preserve his integrity
they were cleared away with the dishes.
Recently I caught up with Leo for lunch in
the sleepy Victorian town which he and his wife now call home. His design
skills and passions have not evaporated, and he’s just as outspoken as ever,
challenging conventions, and commenting on design (both triumphs and disasters) with his practiced
eye.
It’s not hard to like Leo, he’s outgoing, and engaging, with a great sense of humour and love for life. He tells great stories, and many of his designs have stood the test of time, and are hallmarks of a distinguished career.
Born in Sainte Genevieve, Missouri, with
three younger brothers and a younger sister, it wasn’t until he was around 10
that he got really interested in cars.
Leo’s father was a new car dealer, with the
Plymouth-Dodge-Packard franchises before WW2. After the war, Leo's Dad just had the
Studebaker-Packard dealership.
In his early teens his father encouraged
his interest, when he saw Leo drawing cars in his spare time.
In 1961 Leo graduated with Honours from the
prestigious Art Center College of Design in Pasadena. This institution has
turned out a majority of America’s great car designers over the years, and
graduating with a BA (Honours) was an immediate leg up for the young Pruneau.
He joined GM as a Junior Designer, then in 1962 moving up to Senior Designer in
the Advanced Design Studio 3; later he was promoted to the International Design
Studio.
In 1963 he was appointed Assistant Chief
Designer in the Body Design Studio; which preceded his move into the Divisional
Companies, starting with Chevrolet in the Corvair Design studio.
Here is a small selection of cars designed by Leo during his long stint as Head of Design for GM-Holden.
I asked Leo when he decided that he wanted to
stay in Australia? “Pretty much the day after I arrived in Melbourne.”
He was re-assigned to Detroit in 1974, but a
year later he was back in Melbourne, where he was to stay working exclusively
on Holden vehicles, until he retired in 1983.
The body of work which flowed from his role
at GM-Holden was both extensive and varied, and the detail will form the basis for my next
post on Leo, which covers the individual cars he developed, influenced and completed.
Hi John
ReplyDeleteI was wondering if you still have contact details for Leo, as I'd to reach out to him to ask some questions. Thankyou :)
Heath
Hi John
ReplyDeleteI was wondering if you still have contact details for Leo, as I'd to reach out to him to ask some questions. Thankyou :)
Heath